News has changed, and so has how it is gathered and disseminated. In an era of pervasive surveillance, authoritarian power and weaponised social media, these 10 films reflect today’s world back at us.

Taking a punt on a brand new horror film can be leap of faith, but here are six for the true believers at this year’s Frightfest.

Director Mike Flanagan has proved himself to be King’s most sympathetic interpreter on film with The Life of Chuck, the story of a man’s life in three acts, told backwards.

The British director returns to the lo-fi stylings of his early work with a multiverse sci-fi starring four characters in search of a narrative form.

Ten titles showcasing bold, inventive and distinctive filmmaking compete for Best Film at the 2025 BFI London Film Festival Awards.

Writer-director Anthony Schatteman’s film about a blossoming romance between two Belgian teenage boys has few surprises, but there’s something to admire in its relentless positivity.

Early action films, such as the swashbucklers of Douglas Fairbanks, introduced audiences to chase sequences, protagonists in peril and literal cliffhangers and would have a great influence on ...

Mike Flanagan’s latest Stephen King adaptation eschews horror for a life-affirming take on the end of the world. Stars Tom Hiddleston and Chiwetel Ejiofor spoke to us about their favourite King ...

BFI Discovery and Impact feature funding awards money from the National Lottery to support original live action and animation feature filmmaking.

Among a number of post-war British films testing the stereotypically wholesome depiction of mothers and daughters, The Woman in the Hall features Jean Simmons playing a young woman who is driven to ...

This week we go back in time to the 1950s and 60s to explore the Archive's pioneering past and look ahead to Heritage Open Day.

Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...